So far, I've spent about 3-4 hours getting to this stage, as the light has started to go, I'll revisit it tomorrow. I want to try and get it finished before Friday, when I attend my local art club in Killingworth and can enter it in the monthly challenge, to paint your self portrait, so I'm kind of painting real fast! Here is it is before I put in his evil eyes LOL.
The simplistic meanderings of an unfulfilled pencil doodler who one day hopes to realise his vision of becoming a real artist.
Sunday, 26 February 2012
WIP My Self Portrait
Well, as I have a bit of free time between commissions, I have decided to have another attempt at painting one of the ugliest creatures ever to roam the mainland, me! So far, I've spent about three hours painting, I'm taking photos of each step, and will probably write a tutorial of my efforts. Please warn any children before looking!
So far, I've spent about 3-4 hours getting to this stage, as the light has started to go, I'll revisit it tomorrow. I want to try and get it finished before Friday, when I attend my local art club in Killingworth and can enter it in the monthly challenge, to paint your self portrait, so I'm kind of painting real fast! Here is it is before I put in his evil eyes LOL.
So far, I've spent about 3-4 hours getting to this stage, as the light has started to go, I'll revisit it tomorrow. I want to try and get it finished before Friday, when I attend my local art club in Killingworth and can enter it in the monthly challenge, to paint your self portrait, so I'm kind of painting real fast! Here is it is before I put in his evil eyes LOL.
Friday, 24 February 2012
Commission - Sketching Bruce
Here is Bruce in deep thought admiring? his cup (wish he had worn a plain shirt, but if you know anything at all about me, I sketch what I see (checked shirt an all!)
Medium: Pencils (2B and 4H)
Paper: Goldline Bristol Board 220gsm
Size: A2 23.4 × 16.5 inches (594 mm x 420 mm)
Duration: 3-4 hours (so far)
Paper: Goldline Bristol Board 220gsm
Size: A2 23.4 × 16.5 inches (594 mm x 420 mm)
Duration: 3-4 hours (so far)
STEP 01

Here I’ve started on the head, working from the ear in view. I had previously sketched out the outline using my Slip and Slide Method So I’m really just texturing the skin on his face, this time instead of cross hatching, I thought that a squiggly hatch stroke gives me a better skin texture on his face, takes a bit longer but the effects are looking OK. You may notice that I’ve also started using my embossing tools to create this fine white hairs on true brows and a few spots here and there.
Here I’ve started on the head, working from the ear in view. I had previously sketched out the outline using my Slip and Slide Method So I’m really just texturing the skin on his face, this time instead of cross hatching, I thought that a squiggly hatch stroke gives me a better skin texture on his face, takes a bit longer but the effects are looking OK. You may notice that I’ve also started using my embossing tools to create this fine white hairs on true brows and a few spots here and there.
STEP 02

I’ve got my skin tones of his face just about there now, I can (and will) go a plane darker on the hatching where it is required. I’ll sketch the full pose of him holding his cup, but I still like to print off a couple of extra printouts which I cut up and use for reference. This stage I cut out a close crop of his face, asa I’m working on his face at the moment it’s invaluable to have the reference right next to where I’m sketching. This closeness, I find really helps me achieve the likeness I’m striving for. I used a couple of my embossing tools to emboss the highlights of his hair, then go over lightly with a hard pencil (4H) I’m only using two leads on this portrait, a 2B and a 4H, this is enough for the moment.
I’ve got my skin tones of his face just about there now, I can (and will) go a plane darker on the hatching where it is required. I’ll sketch the full pose of him holding his cup, but I still like to print off a couple of extra printouts which I cut up and use for reference. This stage I cut out a close crop of his face, asa I’m working on his face at the moment it’s invaluable to have the reference right next to where I’m sketching. This closeness, I find really helps me achieve the likeness I’m striving for. I used a couple of my embossing tools to emboss the highlights of his hair, then go over lightly with a hard pencil (4H) I’m only using two leads on this portrait, a 2B and a 4H, this is enough for the moment.
STEP 03

Now I’m really starting to get into this shirt he’s wearing (Tip to self: ask the client what they will be wearing on the day of the Reference shoot! – avoid checked shirts!). Although I’m moaning about this shirt, it is fairly easy to sketch it onto the paper, I just have to make sure that I follow the pattern like for like, I’m actually helped by the fact that there are heavier stripes in the pattern with a couple of double track lines in-between each. The elbow, is more fun to do, I lay a circular squiggly texture hatch with my 4H to begin and go over with my 2B to pick out details in the skin, especially those feint creases going diagonally (those lines really are fine, but patience and a steady hand prevail). Well this is enough for today. You can come back to read how I’m progressing, I’ll be posting my progress over the next few days.
Now I’m really starting to get into this shirt he’s wearing (Tip to self: ask the client what they will be wearing on the day of the Reference shoot! – avoid checked shirts!). Although I’m moaning about this shirt, it is fairly easy to sketch it onto the paper, I just have to make sure that I follow the pattern like for like, I’m actually helped by the fact that there are heavier stripes in the pattern with a couple of double track lines in-between each. The elbow, is more fun to do, I lay a circular squiggly texture hatch with my 4H to begin and go over with my 2B to pick out details in the skin, especially those feint creases going diagonally (those lines really are fine, but patience and a steady hand prevail). Well this is enough for today. You can come back to read how I’m progressing, I’ll be posting my progress over the next few days.
STEP 04

Continuing on from the previous steps, I’m now concentrating on the arm of Bruce, which I began in STEP 03. I’m still using only two pencils leads, a 4H and a 2B, these I’m finding are more than enough to carry on with the tones I need on this portrait, the 4H allows me to ghost hatch the tones I want, I then go over with the 2B and lock them in with an additional hatch of 4H. I kind of sketch layers on each other, the 2B glides beautifully across the 4H, and allows me to go as dark as I require with the minimal of pressure.
STEP 05

Carrying on I begin work on the hand and fingers, to achieve that old experience weathered hands look Bruce ha, I really have to task the 4H with swirls, squiggles and hatching strokes, these are more subtle on the hands, especially around the knuckles and the fingers themselves, I have to pay particular attention to the skin hi-lights on the fingers, almost imperceptible, but nether less there, I use the finest 2B I possess (3mm Pentel P203 Series pencil) to give me those subtle wrinkles on the back of the wrists as well as those darker freckles/spots he has on his hands. I’m really enjoying working on his arm, trying to maintain an even consistent skin tone at the same time, trying to show the underlaying shapes of muscles in the arm and wrist.
STEP 06

Standing back I and taking a moment to view my progress, I see that I am on the halfway mark on this sketch. The work on the arm and wrist gives me a much need break from the details on the shirt, even though I still manage to sketch in at least one half of it.
STEP 07

Now I’m concentrating on the check pattern detail of the shirt under his arm, by adding thin horizontal and vertical lines between the darker main stripes, emphasising the contour of his belly. As I work up towards the fingers I cannot resist to begin sketching in the tankard’s shiny handle, I love sketch shine on metal, it really adds that something special to a plain sketch, hopefully here, it will be a focal point after the face, which hopefully draws the observer from the subject’s face looking at his cup. Working on the handle, also means I have to start working on the fingers holding the cup and each of their relevant reflections in the metal on the side of the cup, I have to make sure these reflections are slightly darker and the area outside each is a tone darker for this reflection to stand out inside the cup.
Now I’m concentrating on the check pattern detail of the shirt under his arm, by adding thin horizontal and vertical lines between the darker main stripes, emphasising the contour of his belly. As I work up towards the fingers I cannot resist to begin sketching in the tankard’s shiny handle, I love sketch shine on metal, it really adds that something special to a plain sketch, hopefully here, it will be a focal point after the face, which hopefully draws the observer from the subject’s face looking at his cup. Working on the handle, also means I have to start working on the fingers holding the cup and each of their relevant reflections in the metal on the side of the cup, I have to make sure these reflections are slightly darker and the area outside each is a tone darker for this reflection to stand out inside the cup.
STEP 08

I continue shading in the reflections on the cup, having to use the 2B to get the darkness around the reflected fingertips, the darker I go, the more they stand out and look as if they are on the surface of the cup. The fingers and especially the nails are taking the slightest tones, these I achieve with a 7H, it’s a never ending balance between the lightness of the fingers holding the cup and the darkness of the reflections in the cup. There really is no fast way to achieve this effect, other than with pure bloody patience and concentrating with a focus I’m used to doing. My dear friend and companion of this sketch, patience, does finally pay off (as I know it always will) and the effects are starting to look AOK in my book.

I continue shading in the reflections on the cup, having to use the 2B to get the darkness around the reflected fingertips, the darker I go, the more they stand out and look as if they are on the surface of the cup. The fingers and especially the nails are taking the slightest tones, these I achieve with a 7H, it’s a never ending balance between the lightness of the fingers holding the cup and the darkness of the reflections in the cup. There really is no fast way to achieve this effect, other than with pure bloody patience and concentrating with a focus I’m used to doing. My dear friend and companion of this sketch, patience, does finally pay off (as I know it always will) and the effects are starting to look AOK in my book.
STEP 09

I now being the lonely process of returning to this near impossible shirt! (if truth be told, I love it really) and using the 7H I begin sketching in the feint horizontal and vertical lines travelling to the right, these lines are generally lighter, the direction the sunlight is hitting Bruce;s shoulder, so again, a very light touch is required, no more than a feather brushing a dusty glass picture frame.
I now being the lonely process of returning to this near impossible shirt! (if truth be told, I love it really) and using the 7H I begin sketching in the feint horizontal and vertical lines travelling to the right, these lines are generally lighter, the direction the sunlight is hitting Bruce;s shoulder, so again, a very light touch is required, no more than a feather brushing a dusty glass picture frame.
STEP 10

Concentrating on the on the shirt, and the light direction, I work around the other collar and on my way down the shirt towards his pocket. This check pattern is nearly complete, as I can now begin looking at the shirt as a whole, I darker it here and there and using a kneadable eraser, give it some hi-lights especially on folds where it is require. Just one more thing left to do, than it is finished, my trademark signature, in pencil, using the thinnest (3mm 2B) lead I own. Now it is finished!
Concentrating on the on the shirt, and the light direction, I work around the other collar and on my way down the shirt towards his pocket. This check pattern is nearly complete, as I can now begin looking at the shirt as a whole, I darker it here and there and using a kneadable eraser, give it some hi-lights especially on folds where it is require. Just one more thing left to do, than it is finished, my trademark signature, in pencil, using the thinnest (3mm 2B) lead I own. Now it is finished!
Thank you for your patience and thanks for taking the time to read my tutorial on the steps it has taken me to complete this portrait.
Happy sketching.
Jan
Monday, 9 January 2012
Dublin 2012 and the Irish Times
Well I returned to Dublin this Saturday and to my continuing sessions as a weekend sketch artist at the IMMA (Irish Museum of Modern Art).Gone was the Hurley burly that was Christmas, the Ryanair plane was like an abandoned cathedral, I suppose all the Christmas shopping trips and family reunions were now over, time for folks to back to their daily grind.During my last excursion to the IMMA, I had the pleasure of interviewing a Roisin Ingles, a reporter for the Irish Times (like the English Times but without the doom and gloom) describing her first love. On my arrival to Dublin airport on Saturday, I picked up a copy of the aforementioned newspaper and decided to read it on the bus journey from the airport to Heuston Station. The double decker bus is aptly numbered 747! The journey takes about 50 minutes, long enough for me to get intellectually keyed up into the heart of Irish life. I thought it best to go upstairs and sit at the front, behind the large panoramic top windows, which gives you a grand old view of the grand old city of Dublin, plus there is bags of rooms for my long wrinkly old long elephant legs (it’s the little things in life that really make a difference, isn’t it?).As the bus/coach modified 747 left Dublin airport towards Heuston Station, I unfurled the main mizzen sail that was the Irish Times Newspaper and began to read through it (it is really nice to pick up a paper in another country and be able to read it effortlessly! – see it’s all about the small things again, isn’t it!).
Then the onward board intercom and TV screen came to life, advertising all that is good and must be seen visited during your stay in Dublin, this looked really impressive, OK, there were no stewardesses standing ten foot apart down the centre aisle showing me where the emergency exit were, but still, it was impressive, until that is until the audio commentary in each of buses speakers kicked in, was that Gaelic I was hearing, Ireland has two languages everywhere, Gaelic and English, even the road signs and street names have both versions shown. No, this definitely wasn’t Gaelic, a few seconds for my jet lagged synapses to kick, I realised what I was listening to, it wasn’t Irelands beautiful and native dialect, it was infact English, but was out of sync with the speakers of the TV so it was two or three echos of every spoken word, a few milliseconds behind the first! Most of the passengers on board giggled amongst themselves, you could tell the frequent flyers and regulars, they didn’t bat an eyelid. The funny novelty of it soon wore off and soon became irritating.
To try and take my mind of this infernal chatter, I continued reading the newspaper I purchased. Quickly skipping through the pages (looking at all the pictures really) I soon finished the large format wallpaper roll size of Ireland’s finest periodical and decided to look look at he pictures in the The Irish Times Magazine and upon opening up the first page, I was pleasently surprised (well more gob smacked, truth be told), the first story in the supplement magazine was written by no other than that same reporter I had interviewed on my last tour of Dublin, Roisin Ingle! And it was all bout her first love and our interview together, wicked! (I was famous again in Dublin!) and to top it off she gave a link to my book Pencil and Paint Oh, yes 2012 is looking to be sooo much better than the anis horriblis of 2011.
Then the onward board intercom and TV screen came to life, advertising all that is good and must be seen visited during your stay in Dublin, this looked really impressive, OK, there were no stewardesses standing ten foot apart down the centre aisle showing me where the emergency exit were, but still, it was impressive, until that is until the audio commentary in each of buses speakers kicked in, was that Gaelic I was hearing, Ireland has two languages everywhere, Gaelic and English, even the road signs and street names have both versions shown. No, this definitely wasn’t Gaelic, a few seconds for my jet lagged synapses to kick, I realised what I was listening to, it wasn’t Irelands beautiful and native dialect, it was infact English, but was out of sync with the speakers of the TV so it was two or three echos of every spoken word, a few milliseconds behind the first! Most of the passengers on board giggled amongst themselves, you could tell the frequent flyers and regulars, they didn’t bat an eyelid. The funny novelty of it soon wore off and soon became irritating.
To try and take my mind of this infernal chatter, I continued reading the newspaper I purchased. Quickly skipping through the pages (looking at all the pictures really) I soon finished the large format wallpaper roll size of Ireland’s finest periodical and decided to look look at he pictures in the The Irish Times Magazine and upon opening up the first page, I was pleasently surprised (well more gob smacked, truth be told), the first story in the supplement magazine was written by no other than that same reporter I had interviewed on my last tour of Dublin, Roisin Ingle! And it was all bout her first love and our interview together, wicked! (I was famous again in Dublin!) and to top it off she gave a link to my book Pencil and Paint Oh, yes 2012 is looking to be sooo much better than the anis horriblis of 2011.Sunday, 1 January 2012
Lucy Remastered
Medium: Acrylic
Paper: Art Gallery Stretched Canvas
Size: 15.7 x 19.6 inch (40 cm x 50 cm)
Duration: 8 hours
This is my second attempt at Lucy in acrylics, as my first attempt was rejected by the client. They felt that the background I painted distracted from the the main subject, and they now wanted a head pose, but on a black background.
Hopefully this one meets all the requirement criteria that the client wants. I started this on the last day of 2011 and finished it off on the first day of 2012(does this mean it has taken my two years to paint it LOL).
I've also been taking photos of my progress, so there will be yet another tutorial of sorts in the new year (just really for those interested in reading the about how I create my animal paintings).
Wednesday, 21 December 2011
Commission - Lucy
Medium: Acrylic
Paper: Arista Stretched canvas
Size: 24″ × 18"
Duration: Approximately 10-12 hours over two days.
Paper: Arista Stretched canvas
Size: 24″ × 18"
Duration: Approximately 10-12 hours over two days.
This is probably the last commission I have had to complete before the year ends, I started it yesterday morning and finished it this afternoon. I’m really quite happy with the finished piece, the dog, was being mainly white and creamy and I ended up playing with really subtle creams, blues and greys to even begin to show the white curly fur.
The background also kept busy for a while, but thank heavens for masking tape! Once I masked out portions of the seat sides, it was really fairly easy to fill in the block strips where they were needed.
Thursday, 15 December 2011
Commission - Rebecca and the Boys
Medium: Pencil
Paper: Goldline Bristol Board 220gsm
Size: A3 16.5 × 11.7 inches (420 mm x 297 mm)
Duration: 15 hours (over four days)
Paper: Goldline Bristol Board 220gsm
Size: A3 16.5 × 11.7 inches (420 mm x 297 mm)
Duration: 15 hours (over four days)
This is a commissions I’ve recently completed. It was of four children in pencil. This has taken me the better part of four days, but the end result was worth the slow journey. The thing I enjoyed most was the fact that in this single piece of pencil work, there were so many different texture in the composition from the outset, which included their faces, the different styles and tones of their hair styles, their slightly different skin tones and not to mention the subtle tones and texture of all of their clothing. It’s so good to get back into pencil again.
Monday, 28 November 2011
Teasel the Beardie
Medium: Graphite pencil, leads, 2B, 7H, 6H, 5H and 2H
Paper: Goldline Bristol Board 220 gsm
Size: A2 (23.4″ × 16.5″ – 594 x 420mm)
Duration: 10 − 12 hours
This is a commission graphite sketch I've just completed (in time for someones Birthday in December 2011), of Teasel a beautiful and very energetic Beardie. The whole process has taken me between 10 − 12 hours or thereabouts over a few days. Completing this sketch was a real challenge and I think I was pushing the envelope out a bit, as there was a lot of white and grey fur in this dog, so I ended up using a lot of the higher hard pencils H4, H6 and H7 as well as the usual softer 2B.
I also used quite a load of embossing with the embossing tools I have and even found them useful for some tufts of hair in the dogs coat (especially on the thigh and chest areas). For the subtle grass background, I again used the embossing tools and filled in the spaces delicately with a 3mm 2B lead, that required the unadulterated use of lots of patience and and then even some patience! But I'm happy with the finished effect it gives the subject.
Sunday, 20 November 2011
Hey Ho! Hey Ho! It's off to Dublin I go! - 1st Trip
9.30am. Tuesday morning on the 15th November I arrived at Newcastle Airport to begin the first of eight trips to Dublin to work as a sketch artist at the "Irish Museum of Modern Art" "Rivane Neuenschwander’s exhibition"
As the Museum was paying for the flight and Hotel, all I had to do was check in on-line, sounds easy right? The courier were Ryanair, and as I had already been given my flight check in reference number via email, all I had to do was go onto Ryanair's site and complete my check-in on-line, this is when the first hiccup appeared, the check-in site didn't recognise my reference number! OH My God! panic stations! I was due to fly out the very next day! and the Ryanair site had no record of my booking, a quick phone call to Ryanair themselves, quickly rectified this, the reference was correct, but I had simply used my email address instead of the booking agent's own email address DOH! (this was to be one of the many occasions that the lack of the fantastic female ability to multi-tasking had let me down). Being a man, I had read the first line of the email containing my flight reference and if I had only continued reading that email, the sender stated quite clearly that I had to enter in the booking agents email along with the flight reference.
Once I checked in successfully, I was given the option of adding a Priority Booking option for only an additional £10, with the promise of speedy journey and most important the chance to board the plane BEFORE the general rabble of mere ordinary passengers. I hovered over the "Click to apply now" button, but common sense got the better of me, they were paying for the flight, so why should I pay extra? This wasn't supposed to cost me anything right?
Well after arriving at Newcastle Airport, I handed in my recently printed boarding pass to the young girl at the Ryanair check-in desk and placed the only bit of luggage I possessed on the scales, and waited with baited breathe as it was weighed. The limit for hand luggage was 10KG, she smiled and said, "That's OK!", and I inquired if she could tell how much did it actually weigh? "9.5KG, just under your permitted weight, you can now go through the gates and wait for the flight to be called". As I walked away from the check-in, I slowly and carefully emptied my jacket pockets of mobile phone, mobile phone adapter, Samsung Galaxy Tab (like an IPad - but half the size and quarter the price), the adapter for my Galaxy, my compact camera and leads and returned them back to their place, nice and safe in the hand luggage, I had just had weighed! It sure felt a lot heavier now.
Now my next hurdle was getting through security barrier where everyone gets scanned, I had planned ahead, and put all my metallic objects into my hand luggage, placed my hat, jacket on a tray next to my now practically bursting at the seams hand luggage, and then cautiously tip toed through the scanner and heard... nothing! Success! this was going well, until I realised I had left my shoes on the other side of the barrier! So sheepishly I got the security guard to stop the flow of passengers through the scanner so I could pick up my shoes and place the onto the conveyor belt to be scanned for perhaps hidden contraband or tightly packed explosives, but nobody said anything as I walked through the scanner for the second time to collect my freshly scanned shoes on the far side (funny how walking back through that scanner thingy draws everyones attention LOL!, pity the scanner doesn't knock out that man pong from well worn trainers!
Going through the gate to the duty free area of the airport, my senses were quickly attacked from all sides by fabulous wealth and opulence on display for the urban traveller to browse and buy before embarking onto their flight. As a non drinker and non smoker I quickly walked past all the pretty bottles of coloured water and vast quantities of packs of rolled up dried tobacco plants, and I quickly found myself in front of the one shop you always find in these airports, the one especially designed to catch most men of a certain age eyes, the electronics consumer store, full to the brim with all the latest must have gadgets, and even the option to buy cases for all these must be seen with gadgets! Not forgetting those ridiculously over-priced earphones, to use with all these gadgets. My eyes were practically starting to water at the sights of all this expensive plastic that would be worthless if dropped. My head happily intervened, I already had a bag, full suitable must haves, and really didn't require any more, for one thing, I'd have to pay extra to bring whatever I bought back, and I had just so many jacket pockets free!
I eventually found myself in the area of the airport everyone ends up in at least once during all their waiting around to board times, the food court! now all my visual senses were useless here!, except that is for my nose, my wife always said a way to my heart was through my nose and her cooking! I decided, as I hadn't had a breakfast at home, now was a good time to fill my belly before this epic journey begins in earnest. I decided on a Traditional English breakfast, egg, sausage, bacon, mushrooms, a fried tomato, baked beans and that ever so famous English side dish, hash browns? I followed this down with a nice small bottle of real orange juice, the one with the real bits of orange left inside to enhance the natural taste of the artificially created orange juice tasting liquid!
Feeling warm and with a full belly, I eventually found myself heading for the gate when my flight number came up. When I got there, I found loads of other passengers milling around waiting for news of the flight and the gate opening, I took a seat and waited. It was while waiting I saw that Ryanair had made two aisles from ropes leading up to the gate doors, one marked Priority booking passengers only, and the other (a much wider and larger aisle) labelled Other Passengers, why so large I wondered? Were Priority passenger thinner? yes that must be it, I thought.
When the tannoy announced that the gate was now open, could all the Priority passengers please make their way to the gate for boarding now, three people got up together with their large amounts of drinks and ciggy's and went to to meet the girl at the gate who checked their passports, lucky blighters! I thought, getting onto the transit coach first. After these three were safely on board out of harms way of the rest of us, the tannoy announced that the "Other" passengers could now make their way to the gate, which they all did, as I was listening to some Adele on my own must have MP3 player, I soon realised that I was the only one left in the lobby as I saw the last few walking through the gate! I quickly gathered my meagre belongings and found myself the last one to go through the gate and onto the transit bus to take us to our plane, it was funny seeing those three priority booking passengers with their faces pressed up against the bus windows near the front, as I stepped into the rear door of the bus. The journey to the plane was quick and when we pulled up next to the plane, the driver opened the front doors first to allow only the Priority passengers off first, followed in hot pursuit by the hordes of Other passengers, it was crazy watching them all funnelled into the flight of stairs at the front of the plane, it was during this stampeded, I noticed a second and as yet, empty flight of stairs leading up to a doorway at the rear of the plane, it seemed silly to ignore it, so I waddled over and started up the stairs, feeling a bit like some celebrity or famous diplomat of sorts, all by myself on this empty flight of stairs, then others in the horde saw what I had done and a few at first broke away from the main herd, then more and more, but I managed to reach the top of the stairs and calmly walked into the empty rear section of the plane before this horde reached my flight of stairs. Welcome aboard said the pretty flight attended and ushered me in, I could pick any of the empty seat, that stretched what seemed forever in front of me. In the distance near the front I saw the reason for the stagnant march up the first flight of stairs, the priority passengers were busy standing in the middle of the aisle trying to get their hand luggage and large amounts of coloured water and packets of dried tobacco into the tiny overhead compartments. I happily strolled along one half of the plane past all the empty seats and eventually took one next to a window. So much for Priority booking I thought! Trying to fasten that ridiculously small belt around me made me wish, I'd never had that breakfast in the airport lounge earlier!
The flight, if you could call it that, was over before it began, it seemed, Newcastle to Dublin consists of basically two stages, take off to gain height, then descending to land, there was not much flying time to speak of. I do love looking at the fluffy clouds whilst the attendants art practising their semaphore signals to one another down the aisles, wish I could hear what she was saying, but my seat was directly above the two large stewardesses hair dryers, well they sounded like hair dryers.
and soon after a bump or two and a even louder screeching of brakes, we had finally landed in the land of the Leprauchauns, Dublin!
I got a taxi from the airport to my Hotel, but before reaching it, the Museum phoned and asked if I could come over earlier than planned as the Irish Press and TV crew wanted to film me sketching! So straight to the museum I went, where I met the lady who had organised my trip here, Maeve Butler, who signed me into the gallery and took me up a several flight of stairs into the main gallery, puffing, panting and red faced and out of breathe I stumbled into the main gallery to be met by 20 or so people who were waiting to meet me, Maeve introduced me as the sketch artist, and to my horror asked the waiting audience if they had any questions for me! Talk about a fish out of water, but eventually I get my breathe back and was able to answer all their questions with a few returned smiles and applause.
Maeve then showed me to the desk where I would be sitting and introduced the first person to describe to me their First Love, a member of staff called Stephen Taylor.
The film crew and director appeared out of the crowd and starting directing me on what he wanted for the TV footage, I hadn't even had time to take my hat off! If this was only the first few hours of the first day of my first trip, how on earth was I ever going to survive this ordeal!
Especially with seven more trips planned into my schedule over the next several weeks. The twenty or so years working as a Police artist took over, and soon I was back into my stride, asking Stephen about what he could recall and me sketching it all down just like I had done thousands of times before, this time in front of Irish RTE News cameras.
After the film crew left, I stayed on a sketched a couple of more "First Loves" with some pre-selected guests chosen for this opening evening.
Thirty or so minutes later, I found myself in one of the great halls were we were giving wine and sparkling water to drink and were I met Rivane Neuenschwander, the Brazilian artist I was here to help in her latest exhibition, she is one of the most interesting people I had met so far, and thanked her for inviting me over to Dublin. When the glasses were empty, we were ushered into another beautiful hall, this time with perfectly laid out dinner settings, and personalised name cards for each guest, I have finally made the big time, I thought, as I searched around the tables looking for my name card, I soon started thinking, as I couldn't see my name anywhere, then perhaps I shouldn't actually be here (wouldn't of been the first time I've put my foot in it!) but someone directed me to a table where my name was indeed beautifully hand written on a mustard coloured card, next to a Poet and one of the Museums residential spatial artists, Victorrio (sorry,didn't get his last name) and opposite was Janice, one of the gallery staff and next to her the Brazilian Deputy Counsellor from the Brazilian Embassy in Dublin! The meal was delicious, sorry I can't tell you what it was, but I had what looked to be the smallest chicken in the world in a very delightful sauce. I never thought I'd go the distance, as I definitely do not mix in these kind of circles, but mix I did, and eventually, tired, fed, and a little worse for wear (that was definitely sparkling water I drink wasn't it?) I found my way to Kelly's Hotel in the centre of Dublin, fell onto the bed and finding a remote switched on the wall mounted TV to see MY UGLY face staring back at me, it was the RTE News with the article all about my day at the Museum! They must be starved for decent news I thought as I drifted off into a deep sleep, dreaming of Priority Passengers and faces of First Loves.....
Well, I seem to have been making news headlines in Dublin! Here is the news report of my first working visit to the Irish Museum of Modern Art. You'll have to scroll for about 20 min into the video.
As the Museum was paying for the flight and Hotel, all I had to do was check in on-line, sounds easy right? The courier were Ryanair, and as I had already been given my flight check in reference number via email, all I had to do was go onto Ryanair's site and complete my check-in on-line, this is when the first hiccup appeared, the check-in site didn't recognise my reference number! OH My God! panic stations! I was due to fly out the very next day! and the Ryanair site had no record of my booking, a quick phone call to Ryanair themselves, quickly rectified this, the reference was correct, but I had simply used my email address instead of the booking agent's own email address DOH! (this was to be one of the many occasions that the lack of the fantastic female ability to multi-tasking had let me down). Being a man, I had read the first line of the email containing my flight reference and if I had only continued reading that email, the sender stated quite clearly that I had to enter in the booking agents email along with the flight reference.
Once I checked in successfully, I was given the option of adding a Priority Booking option for only an additional £10, with the promise of speedy journey and most important the chance to board the plane BEFORE the general rabble of mere ordinary passengers. I hovered over the "Click to apply now" button, but common sense got the better of me, they were paying for the flight, so why should I pay extra? This wasn't supposed to cost me anything right?
Well after arriving at Newcastle Airport, I handed in my recently printed boarding pass to the young girl at the Ryanair check-in desk and placed the only bit of luggage I possessed on the scales, and waited with baited breathe as it was weighed. The limit for hand luggage was 10KG, she smiled and said, "That's OK!", and I inquired if she could tell how much did it actually weigh? "9.5KG, just under your permitted weight, you can now go through the gates and wait for the flight to be called". As I walked away from the check-in, I slowly and carefully emptied my jacket pockets of mobile phone, mobile phone adapter, Samsung Galaxy Tab (like an IPad - but half the size and quarter the price), the adapter for my Galaxy, my compact camera and leads and returned them back to their place, nice and safe in the hand luggage, I had just had weighed! It sure felt a lot heavier now.
Now my next hurdle was getting through security barrier where everyone gets scanned, I had planned ahead, and put all my metallic objects into my hand luggage, placed my hat, jacket on a tray next to my now practically bursting at the seams hand luggage, and then cautiously tip toed through the scanner and heard... nothing! Success! this was going well, until I realised I had left my shoes on the other side of the barrier! So sheepishly I got the security guard to stop the flow of passengers through the scanner so I could pick up my shoes and place the onto the conveyor belt to be scanned for perhaps hidden contraband or tightly packed explosives, but nobody said anything as I walked through the scanner for the second time to collect my freshly scanned shoes on the far side (funny how walking back through that scanner thingy draws everyones attention LOL!, pity the scanner doesn't knock out that man pong from well worn trainers!
Going through the gate to the duty free area of the airport, my senses were quickly attacked from all sides by fabulous wealth and opulence on display for the urban traveller to browse and buy before embarking onto their flight. As a non drinker and non smoker I quickly walked past all the pretty bottles of coloured water and vast quantities of packs of rolled up dried tobacco plants, and I quickly found myself in front of the one shop you always find in these airports, the one especially designed to catch most men of a certain age eyes, the electronics consumer store, full to the brim with all the latest must have gadgets, and even the option to buy cases for all these must be seen with gadgets! Not forgetting those ridiculously over-priced earphones, to use with all these gadgets. My eyes were practically starting to water at the sights of all this expensive plastic that would be worthless if dropped. My head happily intervened, I already had a bag, full suitable must haves, and really didn't require any more, for one thing, I'd have to pay extra to bring whatever I bought back, and I had just so many jacket pockets free!
I eventually found myself in the area of the airport everyone ends up in at least once during all their waiting around to board times, the food court! now all my visual senses were useless here!, except that is for my nose, my wife always said a way to my heart was through my nose and her cooking! I decided, as I hadn't had a breakfast at home, now was a good time to fill my belly before this epic journey begins in earnest. I decided on a Traditional English breakfast, egg, sausage, bacon, mushrooms, a fried tomato, baked beans and that ever so famous English side dish, hash browns? I followed this down with a nice small bottle of real orange juice, the one with the real bits of orange left inside to enhance the natural taste of the artificially created orange juice tasting liquid!
Feeling warm and with a full belly, I eventually found myself heading for the gate when my flight number came up. When I got there, I found loads of other passengers milling around waiting for news of the flight and the gate opening, I took a seat and waited. It was while waiting I saw that Ryanair had made two aisles from ropes leading up to the gate doors, one marked Priority booking passengers only, and the other (a much wider and larger aisle) labelled Other Passengers, why so large I wondered? Were Priority passenger thinner? yes that must be it, I thought.
When the tannoy announced that the gate was now open, could all the Priority passengers please make their way to the gate for boarding now, three people got up together with their large amounts of drinks and ciggy's and went to to meet the girl at the gate who checked their passports, lucky blighters! I thought, getting onto the transit coach first. After these three were safely on board out of harms way of the rest of us, the tannoy announced that the "Other" passengers could now make their way to the gate, which they all did, as I was listening to some Adele on my own must have MP3 player, I soon realised that I was the only one left in the lobby as I saw the last few walking through the gate! I quickly gathered my meagre belongings and found myself the last one to go through the gate and onto the transit bus to take us to our plane, it was funny seeing those three priority booking passengers with their faces pressed up against the bus windows near the front, as I stepped into the rear door of the bus. The journey to the plane was quick and when we pulled up next to the plane, the driver opened the front doors first to allow only the Priority passengers off first, followed in hot pursuit by the hordes of Other passengers, it was crazy watching them all funnelled into the flight of stairs at the front of the plane, it was during this stampeded, I noticed a second and as yet, empty flight of stairs leading up to a doorway at the rear of the plane, it seemed silly to ignore it, so I waddled over and started up the stairs, feeling a bit like some celebrity or famous diplomat of sorts, all by myself on this empty flight of stairs, then others in the horde saw what I had done and a few at first broke away from the main herd, then more and more, but I managed to reach the top of the stairs and calmly walked into the empty rear section of the plane before this horde reached my flight of stairs. Welcome aboard said the pretty flight attended and ushered me in, I could pick any of the empty seat, that stretched what seemed forever in front of me. In the distance near the front I saw the reason for the stagnant march up the first flight of stairs, the priority passengers were busy standing in the middle of the aisle trying to get their hand luggage and large amounts of coloured water and packets of dried tobacco into the tiny overhead compartments. I happily strolled along one half of the plane past all the empty seats and eventually took one next to a window. So much for Priority booking I thought! Trying to fasten that ridiculously small belt around me made me wish, I'd never had that breakfast in the airport lounge earlier!
The flight, if you could call it that, was over before it began, it seemed, Newcastle to Dublin consists of basically two stages, take off to gain height, then descending to land, there was not much flying time to speak of. I do love looking at the fluffy clouds whilst the attendants art practising their semaphore signals to one another down the aisles, wish I could hear what she was saying, but my seat was directly above the two large stewardesses hair dryers, well they sounded like hair dryers.
and soon after a bump or two and a even louder screeching of brakes, we had finally landed in the land of the Leprauchauns, Dublin!
I got a taxi from the airport to my Hotel, but before reaching it, the Museum phoned and asked if I could come over earlier than planned as the Irish Press and TV crew wanted to film me sketching! So straight to the museum I went, where I met the lady who had organised my trip here, Maeve Butler, who signed me into the gallery and took me up a several flight of stairs into the main gallery, puffing, panting and red faced and out of breathe I stumbled into the main gallery to be met by 20 or so people who were waiting to meet me, Maeve introduced me as the sketch artist, and to my horror asked the waiting audience if they had any questions for me! Talk about a fish out of water, but eventually I get my breathe back and was able to answer all their questions with a few returned smiles and applause.
Maeve then showed me to the desk where I would be sitting and introduced the first person to describe to me their First Love, a member of staff called Stephen Taylor.
The film crew and director appeared out of the crowd and starting directing me on what he wanted for the TV footage, I hadn't even had time to take my hat off! If this was only the first few hours of the first day of my first trip, how on earth was I ever going to survive this ordeal!
Especially with seven more trips planned into my schedule over the next several weeks. The twenty or so years working as a Police artist took over, and soon I was back into my stride, asking Stephen about what he could recall and me sketching it all down just like I had done thousands of times before, this time in front of Irish RTE News cameras.
| Stephen Taylor's "First Love" |
After the film crew left, I stayed on a sketched a couple of more "First Loves" with some pre-selected guests chosen for this opening evening.
Thirty or so minutes later, I found myself in one of the great halls were we were giving wine and sparkling water to drink and were I met Rivane Neuenschwander, the Brazilian artist I was here to help in her latest exhibition, she is one of the most interesting people I had met so far, and thanked her for inviting me over to Dublin. When the glasses were empty, we were ushered into another beautiful hall, this time with perfectly laid out dinner settings, and personalised name cards for each guest, I have finally made the big time, I thought, as I searched around the tables looking for my name card, I soon started thinking, as I couldn't see my name anywhere, then perhaps I shouldn't actually be here (wouldn't of been the first time I've put my foot in it!) but someone directed me to a table where my name was indeed beautifully hand written on a mustard coloured card, next to a Poet and one of the Museums residential spatial artists, Victorrio (sorry,didn't get his last name) and opposite was Janice, one of the gallery staff and next to her the Brazilian Deputy Counsellor from the Brazilian Embassy in Dublin! The meal was delicious, sorry I can't tell you what it was, but I had what looked to be the smallest chicken in the world in a very delightful sauce. I never thought I'd go the distance, as I definitely do not mix in these kind of circles, but mix I did, and eventually, tired, fed, and a little worse for wear (that was definitely sparkling water I drink wasn't it?) I found my way to Kelly's Hotel in the centre of Dublin, fell onto the bed and finding a remote switched on the wall mounted TV to see MY UGLY face staring back at me, it was the RTE News with the article all about my day at the Museum! They must be starved for decent news I thought as I drifted off into a deep sleep, dreaming of Priority Passengers and faces of First Loves.....
Well, I seem to have been making news headlines in Dublin! Here is the news report of my first working visit to the Irish Museum of Modern Art. You'll have to scroll for about 20 min into the video.
On the night of the opening, Irelands National Broadcaster included a short piece on First Love. You can watch the piece that appeared on the RTE Television News on 15 November at six and nine o'clock here..
Aidan Dunne, a critic here in Ireland has also written a piece which can be found here..
You can also listen to the review of the show by Declan Long on the arts programme Arena, RTE Radio One, at
here.
Sunday, 13 November 2011
The Cottage
Medium: Acrylic
Paper: Arturo Stretched canvas
Size: 24″ × 15.5
Duration: Approximately 8-10 hours over two to three days.
Paper: Arturo Stretched canvas
Size: 24″ × 15.5
Duration: Approximately 8-10 hours over two to three days.
This is a painting I’ve been itching to undertake for absolutely donkeys (well at least since I started painting in ernest), the source reference which I discovered inside a movie, called Ironclad, about a Templar Knight in England who rallies a few supporters to protect a maiden in her keep, a bit on the lines of the Magnificent 7 (but without the mexican villagers). About a third of the way into the movie, the knight and some of his followers seek the aid of a blacksmith, the scene just before they arrive, is of a beautiful white stone thatched blacksmiths cottage nestled amongst a tree line at the edge of a wood, fading off into a dusky misty morning. When I saw this scene, I knew I had to have a go at painting it, I could see the image in my head of this scene, but as a painting, all shades of green with the cow in a rustic red, oh yes, I just had to paint it, didn’t I?
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