
The simplistic meanderings of an unfulfilled pencil doodler who one day hopes to realise his vision of becoming a real artist.
Thursday, 14 April 2011
Traveller

Monday, 4 April 2011
Flash

Medium: Acrylic
Paper: Stretched canvas
Size: 16 inch x 20 inch
Duration: 9 -10 hours
This is an acrylic painting of a liver chestnut welsh cob stallion, Bookra the Coalman aka Flash, from a reference stock photo supplied by Chroa2427851 (thanks Chroma)
This is my third ever painting of a horse in acrylics. The painting took about 10 hours in all over a couple of days. To be honest, this time I really did try and take more breaks over this painting to try and slow down a bit (several cups of coffee, a whole packet of cream crackers, a three quarter full box of Cadbury’s chocolate Roses – borrowed from my wife’s spare Mother’s Day prezzies, shhh don’t tell her!) but I still managed to complete this artwork within 10 hours. I cannot for the life of me make my art go slowly. I seem to go straight into another intense zone when I’m painting, I’m sure we as artist all go there sometime or other when painting (please tell me I’m not the only one!).
I have really enjoyed painting this beautiful welsh cob stallion (see I’m starting to use proper horsey words too!) particularly trying to emulate the beautiful shiny sheen on the deep liver chestnut coat. I really enjoyed painting in the shiny creases on his strong neck, I chose this side view pose of this horse as it seems easier to paint than of one galloping off into the sunset, maybe my next painting, who knows?
Tuesday, 29 March 2011
Blossom

Medium: Acrylic
Paper: Stretched Canvas
Size: 40 × 50cm (20in x 16in)
Duration: 10 hours
Heres is my second horse in acrylic, I started this yesterday morning and finished it this afternoon. For the reference I used one of the many photos I was lucky to take last Saturday when I visited the Marshall Meadows Farm just past Berwick-upon-Tweed. John and Christine Fairburn, breed shires and have several on their land and show them off pulling a wagon at various agricultural shows and fairs around the North-East.
I spent a wonderful afternoon getting up close to these magnificent beasts, they didn’t take too well to me clicking my camera, but within 15-20 minutes their curiosity got the better of them, and the all wanted their pictures, taken, pushing and nudging each other to get in closer. I couldn’t believe how many shots I too (over 600) I reckon I’ve got enough to keep me painting shires for quite a wee while LOL.
I spent the first day painting just the background, I painted the entire canvas and wasn’t happy till I achieved some kind of depth of field, with the fields fading away (it was that kind of day). When my daughter Jasmine (8yrs) asked why I painted an empty field, I just told her the horse ran off.
I found the second day’s painting was really intense, you forget where time goes, and when your done you can’t quite realise you’ve just spent about 8 hours solid painting!
This Shire horse is one of four similar coloured and still had it’s winter coat, which I think looks great and natural, but I’ll be back when they are all groomed for showing in the summer.
Anywhoo hope you like my second attempt at equestrian art (see even a heathen like me can learn the right words!)
Wednesday, 16 March 2011
White Horse - Ziggy

Medium: Acrylic
Paper: Stretched canvas board
Size: 30” x 40”
Duration: 12 hours
This is a painting I’ve just recently completed of a beautiful white horse (pretty obvious I know) in acrylic, the painting took me 12 hours over three days. As the reference source for my painting, I was lucky enough to get the kind permission of a local photographer, David Parkin to use some of his great photos of horses he had taken (Thanks David).
I really love this painting and keep returning to look at it, not only because it is a truly magnificent animal, but I also loved the challenged of painting this scene for two reasons. The first it was the biggest painting I’ve ever done, and if that wasn’t challenging enough I loved the POV (point of view) of the person looking up from the ground at the horse just over the brow of a hill.

Wednesday, 9 February 2011
Vermeer Study - Girl with a pearl earring (finished)
Medium: Pencil (7H pencul and Pentel P205 0.5mm 2B lead
Paper: Goldline Bristol board
Size: A3 size 420mm x 297mm (16.5”x11.7”)
Duration: 12 hours
Finally finished this epic study today after approximately working over five days. I have covered every square centimetre of this beautiful painting in sketching this study. I think I finally understand something of the process Vermeer used to get this painting looking the way he did.
Hopefully this practice on this study will stand me in good stead when I begin to repaint this subject again in oils. I have learned how he has structured his shadows, his tones and can fully appreciate the lighting he uses to make this portrait stand out as it does. So I’ll have to start getting my oils ready for stage two of this journey I’ve decided to undertake.
I have never enjoyed myself so much with a sketch as I have with this pencil study. Vermeer was, Ihinks, a class of artist, that stands head and shoulders above his fellow contemparies, simply for the dedication and patience he used in his paintings
Tuesday, 8 February 2011
Me nearly famous now...
Well I finally made it into the newstands! and for the right reasons too. Some magazine has just gone and written an article on me and my scribblings.I’m in the February issue of The Nothumbrian magazine and not only mentioned (which, OK, I already knew in advance) but I’m the very first story in a three and a half page spread, three and a half pages!!!
I cannot believe anyone could find more than one or two sentences to write about me, never mind a whole three and a half pages! that is sooo amazing, it’s the best publicity any artist could ask for! So go out and buy this fantasic magazine, while it's on the stalls!
Gotta go now, the phone is ringing, might even be David Letterman or Jonathan Ross wanting to invite me on the telly
WIP - Vermeer Study
I have decided that I’m about ready to dive into painting with oils, this will be one of my final barriers that I have yet to broach.So I thought if I’m going to attempt an oil painting, then why not start with the person who I’ve long admired for his accuracy, his colours and soft tones and who shares the same christian name as myself Jan Vermeer.
Before I attempt this mammoth undertaking, I’ve decided to approach this scientifically as well as artistically and set myself a baseline. The baseline being this pencil study I have decided to sketch to give me a feel of how Vermeer might of approached it and also to help me get a general feel about this beautiful portrait.
So far, I’ve only been using only two pencils, a 7H and a 2B (Pentel P205 with a 0.5mm 2B lead). This really makes you work on trying to achieve a really delicate touch on the shades, and you have to build up all the shades ftom the hard 7H then try an go over this with the 2B, in effect in this study, I’m trying to paint with nothing but pencils.

Okay, this is simply to show you how far I’ve got on my current project, a study of Vermeer’s The girl with the pearl earring in pencil.
I am finding the tones and shades in this beautiful Vermeer, are some of the toughest I’ve ever attempted. Unlike a sketch of an animal or a person where I normally only ever use a photo reference and the only precedence is my take on the reference source. Here I am trying to sketch trying to match one of the great masters where the precendence has already been set. I’m so pleased I have decided to do this pencil study before I attempt to paint this in oils.
Without doubt this is fast becoming one of the most enjoyable projects I’ve ever attempted in a long time, the worry I normally have over whether or not the client will like the finished piece has been replaced by the my own standards of how accurate I can make trhis study. I keep constrantly checking how close I can get to Vermeer, how subtle his shadows are how delicate the skin is. If you’ve never done this, I would highly recommend it as one of the few preocesses left where you can almost communicate with one of the great master.
This is really starting to get tougher, I thought that the skin tones on the girls face were pushing me to my limits, but the clothing that she is wearing, I’m finding, is sooo fine and to get pencil to look like textured paint is really pushing the envelope. But taking my time, and examining every square centimeter, and trying to replicate it in pencil, is the only way forward. I really do feel that I am finally getting into the soul of Vermeer the only way I know, through my pencils.Still on only two leads, 2B and a 7H
But l’m beginning to see this portrait in a completely new light, it’s almost as if I can see the texture of the paint strokes, see where he placed his light and darks and where his tonal boundaries were placed to give just the right amount of feeling into this beautiful portrait.
Almost there…. ...and I'm still enjoying every agonishing minute of the process!
Tuesday, 1 February 2011
Medium: Graphite pencil, leads, 2B, 7H, 6H, 5H and 2HPaper: Goldline Bristol Board 220 gsm
Size: A3 (16.5” x 11.7” – 420×297mm)
Duration: 6 hours
This is a sketch of a wee Jack Russell, I have been sribbling for the past two days. Sketching a white dog really stretches my skills with a pencil, some of my students often ask me “How on earth do you sketch white fur with a dark pencil?” well truth be told, slowly, carefully and use very hard pencils.
The cushion the little fellow is sitting on took about as long as the dog itself. I kept scanning this sketch from start to finish and have a nice collection of images I was thinking of putting into a tutorial
Tuesday, 18 January 2011
My Dad

My dad was not famous.
My dad was no-one special.
My dad had not lived as a movie or rock star.
My dad was not even academic or well read.
My dad was was so much more than any of these, he was after all MY DAD.
My dad as a boy grew up in a Poland, who then became a teacher.
My dad was captured by the Russians in his homeland and carried off into a cold and bitter Siberian camp for no apparent reason other than being a Polish soldier at the outbreak of war.
My dad was released by these very same captors when Russia joined the allies, and then along with hundreds of fellow countrymen, walked that epic journey from Siberia to Palestine, mile after thousand mile, all on foot.
My dad made it to Palestine and fought with a some of his countrymen in an army in exile for the liberation of his beloved home from the Nazi occupation.
My dad trained to became a Paratrooper, fighting for the British and learned the way of war.
My dad swam the cold deadly Rhine at night when asked to do so, to deliver radio communication to his allied brothers in arms.
My dad crawled on his belly up the steep sheer slopes of Monte Casino while all around him were dying, crying and lying, many who had tried and so many who had died, but he was one of the lucky ones to reach the top where he cried.
My dad was given a choice after this war of wars, to return home to await possible death in a country no longer his, or perhaps America to start afresh, but instead chose England who, when all others ignored his country’s plight gave no thought but to come to his country’s aid and go to war against this injustice of Hitler.
My dad met and married his polish wife, in a German town, who herself was just a girl taken from her beloved mother and her Polish roots and had spent her youth and adult years on foreign German soil.
My dad rejoiced when his first son and daughter were born, in a German land now quiet and defeated.
My dad brought his new wife and my elder brother and my elder sister into this new land, this England, this foreign land, for the chance to start afresh.
My dad lived with his wife and children, in a temporary wooden house amongst fellow countryman who had also chosen to stay in this new and free land.
My dad one night cycled to his makeshift home to find it on fire, everything they owned except the ones he loved, perished that night in that fire, a fire I think, scared him more than he would show in the years that followed.
My dad took up work as a coal miner where a house and a wage was assured to feed his young family and coal was given freely to warm their souls.
My dad applied and was given British citizenship, and was proud to hold his head up high in a land he had adopted and loved as his own, though he never forgot his roots.
My dad learned to speak English word by word with a purity and clarity beyond his own expectations, and excelled in this new tongue enough to make him confident enough to write a book (sadly never published) on mathematics and the use of a slide rule in his new learned tongue.
My dad was joyous when I was eventually born, the first in his new homeland, followed a few years later by my younger sister.
My dad cried when his first daughter, my sister was accidentally knocked to the ground by a truck and nearly lost her leg in the local town, who instead spent a lifetime on medication which effected her abilities to lead a normal life like other teenagers in her class.
My dad watched and cried with his wife as they buried his first daughter, my sister, in a ground cold and hard, who had her life taken short by a madman’s blade in an crazy act of murder.
My dad watched and cried as several years later, he buried his wife in that same cemetery next to his daughter in a land he now called his home.
My dad was a proud man and lived alone for many years, getting older and developed a stoop, but said little more than I cannot grumble, when asked if he would like to live his remaining days with one of his sons, politely declined for his wish, you see, was to see his final days in his house he called home.
My dad fell down one day in the kitchen and couldn’t get up, old as he was, he lay until a kind neighbour who always called discovered his plight.
My dad was taken to hospital to try and get him better and possibly return home to his house and friends.
My dad caught pneumonia, becoming frail, so ever frail and lost so much weight he could ill afford to do so.
My dad, it was agreed by consultants and carers that his future should be spent in a nursing home where he could be properly cared for by nurses and staff, in hopes that he would enjoy his limelight years and maybe have a quality of life so justly deserved.
My dad was due to move into his new home, which was ready and waiting with a shiny new TV and a comfortable bed and nurses, were provided for his every need, when in the early hours of the 12th of January 2011 he had a relapse and was rushed into the MAU (Medical Admissions Unit) at the local hospital.
My dad was rushed into a room awaiting my presence as I drove like a madman to the hospital where he lay through the early hours of a winters morning with only the stare of bewildered rabbits along the edge of the road to watch me on my journey.
My dad was waiting, when the doctor attended took me aside and informed me that my dad had only hours left, they could do nothing more but make him comfortable, until his time came.
My dad lay on his bed with eyes half open and unable to speak, I called his name, again and again, and held his thin small hand as his breathing become shallower and shallower. I watched as the seconds and minutes crawled in slow motion, I saw my father stop breathing, once then twice but after the third time he breathed no more.
My dad lay still, never moving, his hand in my hand getting colder and his eyes closed.
My dad was finally at peace I thought and hopefully was looking for the wife and daughter, my sister, he missed, to catch up on tales to be told and life renewed.
My dad died that morning on the 12th of January at 5.16am on a quiet winter’s morning in a small hospital room with only me his son by his side.
My dad will be missed, will be remembered and will never be forgotten, all I hope for, is that I too am lucky enough to have a son or daughter to hold my hand on a cold and quiet morning when all is still and my heart beats no more.
Goodbye Dad
