Monday 20 September 2010

Lloyds in Portugal

Medium: Graphite (leads 2B, B, F, 3H, 6H 7H)
Size: A2 (594mm x 420mm)
Paper: Goldline Bristol board pad 220gsm
Duration: 16 hrs

This is the third and final of three commission sketches in graphite, this one, the main one is of the entire family, and probably one of the most enjoyable sketches I’ve rendered for a long time.


The original reference photo, wasn’t the best to work with, and the composition between the family members needed some tweaking (one child was alone on the right hand side and the other child was next to his dad with the mother alone in the middle of the photo), so I loaded the original photo I was given into Photoshop and moved the boy on the left closer to his mum and also brought the other sibling and his dad closer to make an athestically more pleasing composition.


Now that I had the composition I wanted, I soon realised that I would be sketching quite a lot of flesh and skin tones (boy do I like a challenge or what?) I also tried to linked the hi-lights in all of their eyes and sunglasses and make them similar, so I took as a basis, the reflection in the mother’s glasses (as “Brian” a dear old artist friend commented – reflections are a great aid to the artist) and tried to replicated this reflection in all the other’s eyes. I think it worked as you don’t notice it at first, but the link is there. The skin wasn’t as too bad as I had imagined and went onto the paper fairly quickly with careful cross hatching, now some folks would scream at the thought of cross hatching visibly on skin, but I wanted these figures to seen as being sketched and not mistaken as photos and cross hatching (I think) tells the viewer it’s not a photo but a sketch – see?).


The toughest time I had was in all four hairstyles which ranged in shade, texture and wetness, the first boy (on the left) had to have just wet damp hair, the mum posed a seperate challenge with her hair more loose and blowing in the wind, the other sibling had that kind of hair which is just starting to dry with a few dry strands blowing out in the breeze, but the daddy of all the hairstyles was with the dad himself, I think this is a first for me, short blonde straight and slightly ruffled hair (his hair took me over 2 hours alone!). The thing I like the most from this whole final sketch (apart from the hair, skin tones and teeth!) is how I used the towel as an anchor, it kind of pulls the figures closer together, sort of.


Well tommorrow is going to be the big day when I meet up with the client and find out whether or not he is satisfied with my art on these three pieces (which is going to a present for his wife in a few days). Hope she likes my efforts, otherwise the school runs I see her every day are going to be kind of akward

Beautiful Boys

Medium: Graphite (leads 2B, B, F, 3H, 6H 7H)
Size: A2 (594mm x 420mm)
Paper: Goldline Bristol board pad 220gsm
Duration: 14 hrs

This is the second of three commission sketches in graphite of two brothers.

I’v enjoyed this dual portrait sketch, as there was great contrast in tones between the two brothers, again it was a challenge from the start as I had to work from a very low quality photo and I decided to leave the background out as it was a very monotone black sofa. I thought that these two boys could stand alone without the unnescessary distraction, of that kind of background. The third, in the series, is going to be tougher as I not only have to sketch these two boys again, but add their parents into the final composition as well. And the sources are all seperate photos. Well it wouldn’t be fun, if it was too easy now would it?

Saturday 4 September 2010

Afternoon Snooze

Medium: Graphite (leads 2B, B, F, 3H, 6H 7H)
Size: A2 (594mm x 420mm)
Paper: Goldline Bristol board pad 220gsm
Duration: 10 hrs

This is the first of three commission sketches in graphite of two brothers.

This one was really challenging, firstly, as I had to work from a very low quality photo and secondly the light of the subject was in shadow under a canopy with a light cast shadow. Patience has purserved as I found tones I never thought a hard pencil could go to. The detail in this particular sketch, especially on the different coloured bands of the blanket kept me real busy!

Liyanah


Graphite on 80gsm acid free paper size A3.

Time taken: 3 hours

I began sketching this at my local art club in Killingworth, and finished it a few days later.

This is a sketch I created as a present for a dear friend who turned 50 today (Happy Birthday Cathy!) of her grand daughter Liyanah.

Collie



Well I’ve finally finished the Collie sketch, and it has taken me a total of 7 hours and 10 minutes (I think my fastest yet for this size of paper).

This was sketched on thick 180gsm lightly textured artist paper, size A2 (420×594). I used four Pentel mechanical pencils (sizes 9mm -2B, 7mm-2B, 5mm-4H and 3mm-2H leads).


Moss and Max



Commissioned sketch on A3 140gsm acid free cartridge paper using Hi-Polymer 2B, 5B, 4H and F graphite leads in Pentel mechanical pencils. This was a sketch of two hunting dogs (themn puppies). This took me over 8 days to complete.

Prints available
http://www.redbubble.com/products/configure/14278343